‘I truly required a break after that!’ The most gripping TV episodes of all time
Spooks – I Spy Apocalypse (2003)
The show kicks off with the MI5 agents locked down as part of a simulation relating to a hypothetical terrorist attack, monitored by two government representatives. As events unfold, it becomes clear a real incident has taken place with a chemical weapon released. The tension ratchets up as reports reveal a disaster happening externally, and gets worse when the leader seems contaminated, and the two Home Office officials attempt to leave, forcing Matthew Macfadyen’s character to decide between shooting them or permitting their exit and endangering the sterile MI5 environment. As this is Spooks, it is unsurprising which one he chooses.
Threads from 1984
The production was inexpensive yet among the scariest shows I’ve ever seen owing to its grim authenticity and grim official statistics. Viewed it recently having watched the original; I frequently went to the Sheffield pub featured in the show which underscored the actuality and the glib matter-of-fact official information which was broadcast. Still absolutely terrifying decades on.
Severance – The We We Are from 2022
The concluding episode of Severance’s debut season has to be right up there as a tense chapter. I remained for the whole show quite literally on the edge of my seat, exerting with Dylan to hold the switches that allowed the Innies to remain active, while shouting to the Innies to reveal their realities. The concluding高潮 – “she’s alive!” – resembled a outburst.
Industry – White Mischief (2024)
The fifth episode of Industry’s third season made my pulse quicken. I had to pause and get up and leave the room several times owing to the vast degree of the wanton self-destruction I observed. Rishi Ramdani is in deep shit at work and home – overwhelmed by debt to loan sharks owing to his uncontrollable gaming, taking such risks with a gamble on the pound which could lose his company millions. So of course, he goes on a gambling spree, uses copious drugs and alcohol and experiences wins and losses, gets beaten to a pulp. Whenever you assume it can’t get any worse, it worsens. There’s hope of redemption as the installment closes but he misses the opening, with horrifying consequences in the concluding part of the season. Definitely needed a lie-down after that!
Peep Show – Holiday from 2007
The series Peep Show isn’t typically anxiety-inducing. Yet the installment Holiday contains such levels of cringe that it will make you rise the whole episode, riddled with anxiety. It all ramps up as Jeremy and Mark discover having to lie about the dog they accidentally run over and subsequent attempts to dispose of it. You then occupy the remainder of the episode questioning whether it truly can be worse than incineration, and it turns out to be!
The 2001 The West Wing episode The Two Cathedrals
Nothing I have seen has been as tense than the first time I watched the second season finale of The West Wing. The installment begins with the consequences of the demise (in a car crash) of the president’s personal secretary and escalates to a高潮 with a crisis in Haiti, and the effects of the withheld information about the president’s MS condition, coupled with verification of his aim to pursue re-election. Excellent TV. Never bettered.
The 2018 Bodyguard premiere episode
The opening of the British series Bodyguard, with the protagonist on a train with his young son, is for me one of the most intense episodes ever. He notices a Muslim female entering the restroom and realizes something is amiss. The explosive disposal specialists are summoned, enter the train, and try to persuade the woman to take off her suicide vest. Anxiety builds to a nearly intolerable level, until yes, the vest is diffused.
The 2001 Buffy episode The Body
Buffy enters her house to realize her mom has deceased due to natural factors, which is the least common kind of passing in this supernatural show. The installment lacks any soundtrack, a somber mood, and we witness the episode via the perspective of Buffy’s astonishment upon finding her mother.
The Sopranos – Made in America from 2007
The final scene of the final episode of the show was pants-wettingly tense. And if you watched it when it originally aired, you – initially – were uncertain of the reason. Tony’s enemies, real and imagined, were all vanquished. Surely this has the feel of the season one ending? “Recall the minor details.” However, the vibe is oddly threatening. Almost Twin Peaks levels of terror. The family gathers in a diner. Meadow stops the car. Tony sadly tells Carmela problems are brewing with yet another of his crew working with the government. Meadow parks. Unfamiliar individuals come into the diner. Gaze at Tony(?) Meadow parks. Tony puts a record on the jukebox. Meadow parks her car. The door chimes, a person comes in. It cannot be Meadow, she is still parking. Tony glances upward. Don’t stop. It ceases. My heart sank around 20 minutes subsequently.
The Walking Dead – The Last Day on Earth from 2016
I kept late hours to see this show in the early morning. It was so intense following the introduction of villain Negan finding the group, mercilessly mocking his targets and then leaving the victim unknown (finished with an unresolved situation). The first-person perspective of the victim and the subdued noises – ugh! {We then had to wait for season seven|We then needed to await season